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Be quiet, boy or Confirmation party by Fitzgerald Kusz
(...) Nicole Lohfink (...) shows her comedian talent as Michaela. (...)
Stuttgarter Nachrichten, 19.03.2012
(...) beautifully sharp: Nicole Lohfink. (...)
Stuttgarter Zeitung, 20.03.2012
(...) Very funny is Nicole Lohfink as cousin Michaela. It's brilliant how she is wrapping herself with acrobatic talent around her chair to get close to her very low table – simply to get her mouth to her spoon hovering nearly on ground level so as to not splotch herself. (...)
Esslinger Zeitung, 19.03.2012
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Cleansed by Sarah Kane
Cleansed at the Bavarian National Theatre (...) a text that demands a great deal of the actors (...). The glistening, dissecting light (...) shows at the same time any gesture of touching affectionateness, every nuance of the unprotected love. (...) a sensibility of the performance that simultaneously unsettles as enthuses the audience. (...)
Süddeutsche Zeitung, 23.3.09
(...) A brilliant achievement of the actors.
Münchner Abendzeitung, 24.3.09
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Scorched by Wajdi Mouawad
(...) Nicole Lohfink as Nawals best friend since younger days balances the way through time and space for the other characters. (...)
Frankfurter Allgemeine Zeitung, 1.4.08
(...) Nicole Lohfink is refugee Swada and an enjoyable addition to the ensemble. She not only sings sonorous but also understands to picture vividly the perversion of war in her striking monologue. (...)
Darmstädter Echo, 31.3.08
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Auditory Pathway by Nicole Lohfink und Kai Guzowski
Awe-inspiring dance-performance. A journey through the body with word and movement where the auricle proves to be an organ of eroticism and humour. Also an affectionately told story of rapprochement (...).
Gießener Anzeiger, 2.7.07
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Faith, Love, Hope by Ödön von Horvath
(...) Outstanding in the main character of Elisabeth: Nicole Lohfink (...) Phenomenal Nicole Lohfink as Elisabeth shows a great kaleidoscope of human emotions, mediates authentic and touching a broad scale of happiness and anguish, mixed with the will of self-assertion, ardency, rebellion and drear resignation (...)
Gießener Anzeiger, 5.3.07
(...) With a sharp metamorphosis from bright young lady via survivalist to perished creature Nicole Lohfink shows terrific acting skills.
Oberhessische Presse, 5.3.07
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Blackbird by David Harrower
(...) Nicole Lohfink as Una balances between aggressiveness and vulnerability, looks with and without sunglasses and attitudes at Rays desolate existence and is driven by the power of unbending thirst for knowledge. (...)
Frankfurter Rundschau, 10.1.07
(...) Moving portrait of a young woman balanced between coolness and passion, mask and desperation (...)
Gießener Anzeiger, 8.1.07
(...) Convincing performance of Lohfink as Una (...) Especially Lohfink shows intense emotional nuances in this metaphor for a broken life. (...)
Wetzlarer Neue Zeitung, 9.1.07
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Pinocchio by Carlo Collodi
(...) Nicole Lohfink does as main character Pinocchio a wonderful show. When she tries to sort out her wooden, unmovable limps in the beginning, when she stiffly marches across the stage, every now and then falling, and when she looks around with sad eyes as donkey in the circus manege – that is empathetic interpretation that takes the young audience seriously. (...)
Gießener Anzeiger, 4.11.06
(...) Virtuosic with word and body is Nicole Lohfink as main character Pinocchio. A cheeky piece of wood you easy take to your heart. (...)
Wetzlarer Neue Zeitung, 5.11.06
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Kill That Woman by Nicole Lohfink and Carola Marie Lowitz
(...) Numerous laugher during the performance of an hour and an ongoing applause are the well-earned remuneration for the outstanding accomplishment of Nicole Lohfink. Carola Marie Lowitz and Nicole Lohfink created with throw and humour a colourful collage, switching between aggrieving, amusing and flashy impressions. Absolutely worth watching.
Gießener Anzeiger, 29.3.06
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Twelfth Night by William Shakespeare
(...) Very good ensemble put on scene by Jens Schmidl rich in detail - outstanding Nicole Lohfink as Viola (...)
Biggest applause at the opening evening and deservedly so for Nicole Lohfink for her interpretation of Viola, who emerges into a breeches part to gain behind her mask the love of Orsino. With great virtuousity of speech and acting the actress shows a figure between the gender, always letting shine through her true essence. She shows that this Viola is never totally sure of her task and always appears to be listening to her inner self . A very intense, with tension burning scene is with Orsino, of course the topic is the big love. (...)
Gießener Anzeiger, 31.10.2005
(...) Nicole Lohfink gained applause for her scenes(...) Her scenes with the music melancholic Duke belong to the best, because they are poetic and delicate (...)
Wetzlarer Neue Zeitung, 1.11.2005
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The Glassmenagerie by Tennessee Williams
(...) In the end the performance wins through Nicole Lohfink als Laura (...) Nicole Lohfink manages to give the play a tragic dimension only with her face, especially her eyes and her fingers when they strike softly and caring along the glass orbs and glass animals. She tells that there is actually no escape from her depressingly life. For a moment she perks up in the meeting with her old schoolmate, laughs and dances, only to fall back all the more into bleakness and desertion when he leaves. While she sits in front of her swing like absent with her off-centered clothes it is her facial expression that tells the story of her miserable life more intensely than words or gestures could have done. (...)
Marburger Forum Theater,13.9.05
(...) Nicole Lohfink as disabled daughter Laura plays the deeply unhappy girl. From the outside troubles she flees to her inner self. Lohfinks delicate, impressive acting shows the state of broken soul of this Laura. (...)
Evangelischer Rundfunk, 12.9.05
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